Dhobi Ghat – A Blurred Memory of Unfinished Events

24 Jan

Dhobi Ghat doesn’t blow your mind off, nor does it make you say the “Awesome” word at the end of the movie
But it does make you think for a while after you cross the “Exit” door. There is no hidden message in the movie. DG is like a lullaby that fails to make you sleep

Dhobi Ghat, not at all for the masses. Agreed there are some funny moments here and there, but its definitely not an awesome movie. Its a narration of 4 different lives, which do not culminate at a point, but stand in their own paths, waiting for something..

Movie doesn’t leave a mark in your mind, after its over, very unlike other Amir movies. Kiran Rao, could have done a better job. Movie lacks the appeal. Background score remains an anonymous and sleeping beauty that doesn’t hit your ears. At times, it seems that the movie has become very silent, with silent moments also rendered, music-less

Characters of Amir, an artist; Prateik, a dhobi+rat killer+wannabe actor; and Monica, a banker on sabbatical. Do they really gel together? NO… They do not. They seem rather absurdly distinct and disconnected. With four stories, running their own course and without no reason, why they should culminate, it seems rather odd for the audience to figure out if there is going to be something crucial happening as the movie progresses.

Almost all the characters, in the movie are loners. Including the ones, who are shown to be socializing.

I personally felt that almost half the scenes in the movie were unfinished, and NOT at all in a way where audience can think of finishing them. The movie has nice cinematography and nice views of real mumbai (as we love to call it). Yasmeen is also an unfinished part, although she is shown to have died after having come to mumbai, but that doesn’t really mean the part was finished.

In the end, Amir’s character is shown to be just a wanderlust, with no idea what exactly to choose between going to home and choosing a new place to stay. His family in Australia is just another loose end. Prateik just ends up moving from one place to another, still wanting to chase the girl who is confused. Monica ends up trying to understand whether she loves or doesn’t love Amir. Yasmeen’s story makes Amir, feel bad, but about what? Loneliness?

ALthough so many questions remain unanswered, still at the end, you are not left with a mark that “Oh is this Mumbai?”, or “IS this how the life in mumbai would be?”

Dhobi Ghat is a noteworthy try by Kiran rao, to try and make a not-for-the-masses, art-type movie. I would not say its a must watch, but it surely is a good watch.

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